介绍： Was there any groundbreaking most important advice you've been given from one of your colleagues that resonated with you and that you would like to share with young filmmakers debuting at this year's Berlinale. Thank you!
您是否曾从同事那里得到过令您深有共鸣且极具开创性的宝贵建议，您愿意与今年在柏林电影节上初...

介绍： Was there any groundbreaking most important advice you've been given from one of your colleagues that resonated with you and that you would like to share with young filmmakers debuting at this year's Berlinale. Thank you!
您是否曾从同事那里得到过令您深有共鸣且极具开创性的宝贵建议，您愿意与今年在柏林电影节上初次亮相的年轻电影人分享吗？谢谢！
Thank you for that question. I immediately think of my beginning and that means of Derek Jarman I think he... I learned more from him, not just because I was a young person, but because he was in a way a great teacher. I think all of us who worked with him who were young and many of us were very young who worked with him, learned everything that we have been able to learn really there, in our kind of kindergarten years.
感谢您提的这个问题。这我立刻想起了我的起点，也就是德里克·贾曼。我觉得他...我从他身上学到了很多，不仅因为我当时年轻，更因为他本身就是一位伟大的导师。所有与他共事过的年轻人——我们中许多人当时确实非常年轻——都在那里，在我们的“幼儿园时代”，学到了我们所能学到的一切真谛。
And so what particularly did he teach me. Well, I once said flippantly, but I realized it was really true, you know, hold your own light. And I mean literally hold your own light and be prepared not to sleep. That was very good advice and that stood me in very good stead.
那么他究竟教会了我什么。我曾半开玩笑地说过，但后来意识到这确实很有道理——要为自己打光。我指的就是字面意义上的为自己打光，并准备好不眠不休。这是极好的建议，让我受益匪浅。
Some filmmakers I work with don't ask me to hold my own light, but I'm ready always ready to hold my own light and sometimes to hold the camera as well. That feeling of self-determination is what he taught us. Look after your own work and bring it to the party.
与我合作的一些电影制作人不会要求我自己打光，但我时刻准备着——不仅随时可以自己打光，有时还能兼任掌镜。这种自主掌控的感觉正是他所教导我们的：要对自己的作品负责，带着它闪亮登场。
And he really... we... I remember the first films that I made with him were not only my first films but were the first films, for example of Sandy Powell the great costume designer who went on to work many times with Martin Scores and Todd Haynes and countless other people started her first film was my first film.
他真的......我们... 我记得和他一起拍的第一部电影不仅是我最早的作品，也是其他人的第一部电影，比如桑迪·鲍威尔，她是一位伟大的服装设计师，后来和马丁·斯科尔斯，托德·海因斯等很多人合作过。
And she would sit here beside me and I'm sure say similar things he taught us how to be filmmakers. I think that's what I would say encourage young filmmakers of any description to know that we are all filmmakers, people holding the boom that's a filmmaker a script supervisor is a filmmaker, a performer is a filmmaker.
她会坐在我旁边，我相信她也会说类似的话，他教会了我们如何成为电影制作人。我要鼓励各类年轻电影工作者明白，不管是什么类型的电影工作者都是电影人，手持摇臂的是电影人，剧本监制是电影人，演员也是电影人。
And actually even someone in the craft services is actually making a film and we are dependent on them to keep us nourished. This is really I think something that we learned and it’s a very very important thing to remember. Because it keeps you webbed together. There is a, I mean I have actually when people talk about me working in the industry I always find it quite amusing, because I'm not an industrial animal by nature. I'm very pre-industrial in fact.
事实上，就连餐饮服务组的工作人员也在参与电影制作——我们正是依靠他们才能保持充沛精力。这确实是我们领悟到的重要一课，也是值得铭记的深刻道理。因为这种协作关系将整个团队紧密联结。每当人们谈论我在电影行业的工作时，我总觉得颇具趣味性，毕竟我骨子里并非工业化产物。事实上，我的思维方式更接近前工业时代。
But when I have had these sort of strange foray into industrial film making which I've enjoyed very much. Because it's very exotic for me. It's like that's my experimental work is when I have been the few times, I've worked in the big studio systems.
但当我涉足工业电影制作这种陌生领域时，却感到乐在其中。因为这对我来说充满异域风情。就像我为数不多几次在大型工作室系统工作时，那些经历就成了我的实验性创作。
The one thing I've noticed is how the industrial system divides people up into their departments. And it's very difficult for them very very often to relate to one another. Because they're kept away from each other. And speaking as a performer, that's something that I've noticed is particularly sharp, industrial performers in industrial films are kept in hutches. I always say if I have a trailer I say I'm going back to my hutch, because it feels that way.
我注意到工业体系的一个特点就是它将人们分割到不同部门。很多时候，这些人很难相互建立联系，因为他们彼此隔离。作为一名表演者，我特别深刻地感受到这点，在工业电影体系中，演员们就像被关在笼舍里。我总说，当我回到自己的拖车房时，就像回到笼舍一样，确实就是这种感觉。
And you're not necessarily not welcome on the set, but it's assumed that you don't want to be on the set when you're not actually in front of the camera. And I love being on the set, I'm always hanging out with my friends when we're setting up a shot. And I've noticed in the industrial films that I've made that that is peculiar.
而且你并非在片场不受欢迎，但人们默认当镜头没有直接对准你时，你其实不愿待在片场。而我却热爱待在片场，每当布置拍摄场景时，我总爱和朋友们待在一起。在参与制作的工业题材影片中，我注意到这点其实很特别。
And people originally they're a little suspicious about it, but then they begin to see that it's actually quite nice having people hanging around. And being yeah in a collective communication. So I think just stick together, keep together. Don't get don't get cut up.
起初人们对此还心存疑虑，但后来他们逐渐发现，有人相伴左右其实相当美好。是的，在集体交流中相处融洽。所以我认为就是要团结一致，保持凝聚，不要被割裂分离。