Apocalyptica简介

“Apocalyptica”，也称：“金属启示录”、“启示录乐队”、“基督启示录”，是一个芬兰的乐团，由三个（原为四个）受过 古典乐 训练的 大提琴手 组成，2003年开始，一个 鼓手 加入。他们的特别之处在于用大提琴演奏重金属乐，但他们也演奏 古典音乐 。他们都曾为西贝流士音乐学院(Sibelius Academy)的学生。迄今，他们已在全世界卖出两百万张专辑，在超过三十个国家演出过，和Rammstein一起巡回演出，并随Metallica演出两次。 Apocalyptica is a Finnish symphonic metal band from Helsinki, formed in 1993. The band is composed of classically trained cellists Eicca Toppinen, Paavo Lötjönen, and Perttu Kivilaakso, and jazz drummer Mikko Sirén. Originally a classical-style Metallica tribute band, the band eventually adopted a neoclassical metal style without the use of conventional guitars and bass.[2] They have sold over four million albums to date. Country of origin: Finland Location: Helsinki, Uusimaa Status: Active Formed in: 1993 Genre: Symphonic Heavy Metal/Rock Lyrical themes: Mostly instrumental, Love, Relationship issues Current label: Silver Lining Music Years active: 1993-present Originally known for their numerous cello-only Metallica covers, they evolved to composing original songs and adding some percussion and vocals to their songs. Antero Manninen left the band after the 2nd album but later rejoined them as a live member. Max Lilja left the band in 2002. Apocalyptica in its entirety has made a few guest appearances on albums by other bands, including Sepultura and Amon Amarth.

成员

现成员
Eicca Toppinen – 大提琴+队长（金发，嘴唇略突出者）（乐队成立-今）
Paavo Lötjönen –大 提琴（黑短发方脑袋）（乐队成立-今）
Perttu Kivilaakso – 大提琴（金发。后为黑色直发，头发最长，小胡子，喜欢不穿上衣演出）（1995，1999-
今）
Mikko Sirén –鼓，大提琴（金色头发，有时发色显花：金黑相间）（2003-今）
前成员
Max Lilja 大提琴（金发，有一张苦大仇深的脸，看上去最老）（乐队成立-2002)
Antero Manninen 大提琴（短发戴圆墨镜，一般长袖）（乐队成立-1999。后多次随队演出）
Dave Lombardo 临时鼓手。在2003年和2005年为乐队录制专辑。2007年《World Collide》中以“嘉宾”身份出现。
1999年，Antero Manninen离团，由Perttu Kivilaakso补位。Max Lilja于2002年离团，乐团剩下三人。Dave Lombardo为《Reflections》（2003）的五首曲及《Apocalyptica》（2005)的一首曲录制了鼓的部分。Dave Lombardo一开始就无法和他们巡回演出，于是Mikko Sirén代替他的位置。现场演出时，Antero Manninen也会支援，担任第四位大提琴手。
"Cell-0 represents the core of everything. For us it is a particle that symbolizes the essence of all. That is to say, where everything comes from and where everything ends up…"
-Eicca Toppinen – Apocalyptica (cellist and founding member)
Apocalyptica are true explorers, always seeking new frontiers and uncharted territories in which to express themselves. With Cell-0, their 9th studio album, the ambitious and electric quartet have not simply returned to their non-vocal roots, they have traveled deeper and further into the universe of instrumental music than ever before. That first love and passion which fueled Apocalyptica to form during 1993 in Helsinki now carries richer layers of knowledge and experience, which in turn have led to the band to a fundamental realization and creative path.
"We wanted to challenge ourselves to find further flavours in the cello itself," says cellist Perttu Kivilaakso "had we found them all? Had we explored every corner to find them?"
"We went about creating Cell-0 as a full piece of art and not thinking about singles or ‘the timing of singles’ or anything like that," continues Eicca "it’s challenging to get all the details and colours right and still have the energy of being a real metal cello band." continues Eicca, who like Perttu and fellow cellist Paavo Lötjönen graduated from the Sibelius Academy in Helsinki "So that was the main goal for us when doing this album, to have those two very different worlds connecting to each other in a stronger, more explorative way than ever before."
The genesis for Cell-0’s creation arrived as Apocalyptica were busy revisiting their initial breakthrough turf on tour. During 2018’s 20th anniversary tour celebrating their genre-breaking debut album Apocalyptica Plays Metallica By Four Cellos, the importance and potential of their roots started to take on deeper proportions.
"We found that these concentrated instrumental events helped us to find ourselves better than on other albums," explains Perttu, "this ‘real’ connection between the cello and the audience was renewed, and made us want to both self-produce and lure ourselves to find the real core of why we began and why we started. I think it is braver and more progressive in terms of the writing."
As the band began their journey at Sonic Pump Studios in Helsinki, it was clear that such discoveries were not going to come easily. Yet afforded the freedom to explore and create without the constraints of format or schedule, Apocalyptica were invigorated by the process.
"On Cell-0 you can clearly hear that we did not take the easiest path," chuckles Eicca, "when we might’ve thought something was good, we’d then say it wasn’t great, kick it out and work at it again. And that’s been the tool for us to develop the songwriting, the arrangement, the production, every aspect of making this album. It’s a hard process to be in the studio for a couple of months and keep on challenging yourselves every day for twelve hours a day, but that stamina is something you learn in your career. Some bands get lazy and just release albums that don’t bring anything new to the table, that’s not our way of working."
In pushing themselves to find other places and levels in their music, Apocalyptica opened up to some seemingly unorthodox methods and emotions to travel through the creative process. The result is an album which engages the listener in a myriad of feelings and emotions ranging from the raging thrash of ‘En Route To Mayhem’ to the ethereal shroud of ‘Ashes Of The Modern World’ and the cinematic scope of ‘Call My Name’, something the band were hoping would happen.
"It is tough to express without lyrics, but in Cell-0 we found particles of our universe previously unknown to us." explains Perttu "Millions of notes combine to create music just as millions of cells combine to create life, and when you visualize the whole thing, similar patterns appear. When you look at symphonic sheet music, it looks similar to starry skies, and when I look up at the sky and see the stars, I also see them as potential notes. There are people suffering, and people not treating our planet properly, so there is anxiety at the state of the world. Many of the songs on Cell-0 refer to the blindness and greed of humanity and what we should be doing. We discussed during the writing that this was a very important series of emotions and observations to express, especially with regards to ignorance. I started to believe that human ignorance should be treated as a deadly sin, as it is behind so much of the bad stuff currently around us."
"Writing music, at least for me, is about filtering experiences through your personality," furthers Eicca, who found himself listening to old favourites like Shostakovich, Prokofiev and Gojira in and around the time of co-creating Cell-0. "I start to play something, develop it and then just transfer my own emotions into the music. It varies a lot depending on the mood. These songs have so many layers, and are so complex, it’s not always easy to point out exactly what they are about. But I think that’s also the beauty of instrumental music, that the listener always can feel free to experience the same songs in very, very different ways. It’s also one reason why we don’t want to explain the songs before they’re experienced."
Apocalyptica worked with renowned producer and engineer Andrew Scheps, who has worked with the Red Hot Chili Peppers, Lana Del Rey, Metallica and Black Sabbath among others. He mixed the album at Monnow Valley Studios in South Wales, UK, and the band couldn’t be happier with the results.
"We’ve admired Andrew’s work for a long time, and he brought essential clarity to the mix." says Perttu "Mixing cellos creates more problems than any other instrument with any other band. We all play the same instrument, all in the same register, and this time with Andrew, we found perfect balance and clarity between us all. It has left us more than excited to experiment with these songs live."
Apocalyptica’s Cell-0 live renditions will commence on January 17th 2020 when they head out as special guests to Sabaton for a European tour, before the band develop more comprehensive headlining plans. At once a smorgasbord, symphony and crushing metallic masterpiece, Cell-0 shows a band at the very peak of its unique and magical compositional powers.
"We will be planning the full Cell-0 tour to be at the next level in terms of how we frame our performances," promises Eicca "because as you can probably guess, we don’t know any other way."
Apocalyptica are: Eicca Toppinen, Perttu Kivilaakso, Paavo Lötjönen and Mikko Sirén.