介绍： Born exactly one month after its theatrical debut in May of 1977,
I grew up on a steady diet of Star Wars films like many other American kids of that era.
Through toys and merchandise, I charted the journey of Luke Skywalker from desert farm boy to galactic hero,
one of many storylines that filled my imaginat...

介绍： Born exactly one month after its theatrical debut in May of 1977,
I grew up on a steady diet of Star Wars films like many other American kids of that era.
Through toys and merchandise, I charted the journey of Luke Skywalker from desert farm boy to galactic hero,
one of many storylines that filled my imagination.
It’s become this one enormous story and you can take from Italy,the thriller the battle scenes.
You can take from it the affection of the human characters reach out that the love indeed.
No Star Wars movies were released from the mid-1980s to the late 1990s,
depriving me of new space battles or love stories in my teenage years.
Undaunted I wrote my own Star Wars screenplays
which I sent to the man I admired, creator George Lucas himself.
All were politely returned, unread.
Even so my love for Star Wars never faded.
Star Wars to me has been really important in sort of looking beyond
just a hero and a villain to larger questions of culture and identity.
Media and cinema studies professor Blair Davis has a simple explanation for people’s fascination with Star Wars and devotion to the franchise.

在1977年5月首次公演后整整一个月，
和那个时代的许多美国孩子一样，我也是看着《星球大战》系列电影长大的。
通过玩具和商品，我绘制了卢克·天行者从沙漠农场男孩到银河英雄的旅程，
这是我想象中的众多故事情节之一。
它已经成为一个宏大的故事，你可以从意大利惊悚的战斗场面看出来。
你可以从它身上提取出人性的情感，延伸出真爱。
从20世纪80年代中期到90年代末，没有一部《星球大战》电影上映，
所以在我十几岁的时没有看到新的太空战争或爱情故事。
我毫不气馁，自己写了《星球大战》的剧本
我把它寄给了我崇拜的人，创作者乔治·卢卡斯本人。
所有的信件都被礼貌地退回，没有被读过。
即便如此，我对《星球大战》的热爱从未消退。
《星球大战》对我来说真的很重要
在更大的文化和身份问题上，他既是英雄又是恶棍。
媒体和电影研究教授布莱尔·戴维斯对人们对《星球大战》的迷恋和对《星球大战》系列的热爱给出了一个简单的解释。