不败的玉女 全盛的时代

等待一光年 忘不了凯莉

凯莉米洛最热凯莉全精选

PWL、Deconstruction两大唱片厂牌打造史上最不可能精选26首畅销单曲+8首bonus舞曲混音=34首全盛纪录空前收录

与Jason Donovan对唱旷世情歌Especially For YouI Should Be So Lucky、The Loco-Motion、Hand On Your Heart、Tears On My Pillow等11首冠亚军单曲及12首Top20绝版重现

以澳大利亚肥皂剧邻家女孩形象掘起，从80年代红遍歌坛的玉女歌手到当今呼风唤雨的性感女神，凯莉米洛(Kylie Minogue)绝对是流行乐史足以和麦当娜并驾齐驱的超级天后。87年一首〈I Should Be So Lucky〉风靡全球歌坛后，出道的前七首歌在英国不是冠军、就是亚军；短短三年凯莉递造连续13首Top10纪录，而92年推出“PWL唱片时期”精选则成为她英国榜第三张冠军专辑，这个时期总计就产生〈I Should Be So Lucky〉、〈Especially For You〉、〈Hand On your Heart〉、〈Tears On My Pillow〉四首冠军金曲和〈The Loco Motion〉等六首亚军曲；凯莉不但成功掳获美国市场，88年和Jason Donovan合唱的〈Especially For You〉更是红遍全球市场，成为最受欢迎对唱情歌！94年转型加入Deconstruction以全面的音乐再度征服歌坛，全英亚军曲〈Confide In Me〉外，她还缔造6首Top20劲曲，一直到现在，俨然欧陆歌坛一姐的凯莉已经写下包括6首冠军的35首英国畅销曲，也是歌坛除了麦当娜外，唯一横跨80、90和2000年代都有英国榜冠军曲的女歌手。凯莉最早由英国最畅销制作组合SAW( Stock, Aitken & Waterman) 一手打造，在PWL时代创下洋洋洒洒的排行纪录，2003年BMG唱片正式取得凯莉在PWL时期的作品，破天荒第一次将凯莉在87-97年十年的金曲一次收录，以超值双CD单片价的包装收录了26首凯利最轰动的代表作和8首混音，当你沉醉在凯莉〈Can't Get You Out Of My Head〉时，更不能错过凯莉演唱〈Better The Devil You Know〉和〈Step Back In Time〉的媚惑娆媚，而不管迷漫复古情怀的〈Tears On My Pillow〉、少女诗意幻梦的〈Hand On Your Heart〉、〈Je Ne Sais Pas Pourquoi〉；还有呈现新舞曲diva味的〈Word Is Out〉、洋溢Motown的〈Give Me Just A Little More Time〉到恋人互道缱绻深情的〈If You Were With Me Now〉，从凯莉千变万化的曲风和音乐的无限可能都在这张精选一一呈现，对新歌迷来说，这张精选让人更认识凯莉的独一无二，对一路伴随凯莉的歌迷来说，这是一次见证她成长的音乐黄金岁月全纪录。

Kylie Minogue's story of success may seem a bit odd to those who weren't aware of her dominance over the pop charts in Europe, Asia, and Australia during the '90s. To most stateside listeners, she was a strange anomaly. She appeared for a moment in the late '80s with a ditzy cover of "The Loco-Motion," and then 15 years later returned as a stylish Euro-babe with "Can't Get You Out of My Head." Also during this time, Minogue pretty much turned a blind eye to America, going through career ups and downs without even bothering to release any of her material in the U.S. It's a shame, really, because while many wrote her off for her 1987 cutesiness, she spent the '90s maturing and developing new ideas that would allow her to become the closest thing to Madonna that Australia — or even Europe for that matter — could come up with. Enter this collection, released in 2003, which finally puts together a valid and well-represented (yet oddly out of chronological order) anthology of what Americans were missing. All the singles are here, from the first album up to and including her "difficult" last record for deconstruction, Impossible Princess. As an extra bonus, the second CD is loaded with new and rare remixes that are certainly worth having. For those who were surprised by her sudden reappearance, this will fill in the picture quite nicely, and for those who just couldn't get enough of Minogue upon hearing her for the first time in 2002, Greatest Hits 87-97 will surely satisfy.