介绍: Set in a dystopian 2049, Replicants are enslaved by society. Officer K, a next-generation Replicant Blade Runner, hunts down and "retires" outdated rogue Replicants. During a routine mission, K uncovers the remains of a female Replicant, K embarks on a clandestine quest to uncover the truth, stumbling upon a ...
介绍: Set in a dystopian 2049, Replicants are enslaved by society. Officer K, a next-generation Replicant Blade Runner, hunts down and "retires" outdated rogue Replicants. During a routine mission, K uncovers the remains of a female Replicant, K embarks on a clandestine quest to uncover the truth, stumbling upon a secret that could shatter societal order: the child of this Replicant might still be alive. Meanwhile, Niander Wallace, the tyrannical creator of Replicants, seeks to exploit this mystery to cement his dominance. As K delves deeper, he begins to believe he might be the prophesied child, only to discover a harsher truth: he is merely a pawn in a larger scheme. In a final act of defiance, K sacrifices himself to protect the real “miracle child” and the fragile hope for coexistence between humans and Replicants. The film intertwines noir aesthetics with existential themes of identity, memory, and what it means to be human.
故事设定在2049年的反乌托邦未来,复制人已被人类奴役。新一代银翼杀手“K”是一名复制人警察,负责追捕并“退役”旧型号的反叛复制人。一次任务中,K发现一具女性复制人遗骸。他选择暗中调查,逐渐揭开一个可能颠覆社会秩序的惊天秘密:这个死去的复制人生下的孩子,或许还活着。与此同时,复制人制造商华莱士公司企图利用这一秘密控制人类命运。随着调查深入,K开始怀疑自己就是那个“天选之子”,但最终发现真相更为残酷:他并非特殊的存在,而是被刻意设计的棋子。然而,K选择牺牲自己,保护真正的“奇迹之子”和复制人与人类共存的希望。该片在希望与痛苦,虚无与存在,命运与自由意志直接反覆,以存在主义哲思探讨了人性、记忆与自我认知的边界。
${x.trackCount}首
{if x.trackCount+size>10000}歌单已满
{/if}歌曲同步完成
轻敲空格完成输入
{else}选择最近@的人或直接输入
{/if}${info|escape}
${tip}
${tip}
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${y+1}
{if type=='rank'}
{if x.lastRank>=0}
{if y-x.lastRank>0}
${y-x.lastRank}
{elseif y-x.lastRank==0}
0
{else}
${x.lastRank-y}
{/if}
{else}
{/if}
{/if}
|
{var alia=songAlia(x)}
${soil(x.name)}{if alia} - (${soil(alia)}){/if}
{if x.mvid>0}
MV
{/if}
|
${dur2time(x.duration/1000)}{if x.ftype==2}{/if} |
${getArtistName(x.artists, '', '', false, false, true)}
|
{if type=='dayRcmd'}
{if x.album}${x.album.name}{/if}
不感兴趣
|
{else}
{if x.album}
${soil(x.album.name)}
{/if}
|
{/if}
歌曲标题 |
时长 |
歌手 |
||
---|---|---|---|---|
${y+1}
{if type=='rank'}
{if x.lastRank>=0}
{if y-x.lastRank>0}
${y-x.lastRank}
{elseif y-x.lastRank==0}
0
{else}
${x.lastRank-y}
{/if}
{else}
{/if}
{/if}
|
{if x.privilege.fee == 1}
{var alia=songAlia(x)}
${soil(x.name)}{if alia} - (${soil(alia)}){/if}
{if x.mvid>0}
MV
{/if}
|
{else}
{var alia=songAlia(x)}
${soil(x.name)}{if alia} - (${soil(alia)}){/if}
{if x.mvid>0}
MV
{/if}
|
{/if}
${dur2time(x.duration/1000)}{if x.ftype==2}{/if} |
${getArtistName(x.artists, '', '/', false, true, true)}
|
${y+1}
|
{var alia=songAlia(x)}
${soil(x.name)}{if alia} - (${soil(alia)}){/if}
{if x.mvid>0}
MV
{/if}
|
${dur2time(x.duration/1000)}{if x.ftype==2}{/if} |
{if x.album}
{var transName = x.album.tns && x.album.tns.length > 0 ? x.album.tns[0] : ''}
${soil(x.album.name)}
{if transName}
- (${transName|escape})
{/if}
{/if}
|
标题 |
时长 |
歌手 |
|||
---|---|---|---|---|---|
${y+1}
{if x.lastRank>=0}
{if y-x.lastRank>0}
${y-x.lastRank}
{elseif y-x.lastRank==0}
0
{else}
${x.lastRank-y}
{/if}
{else}
{/if}
|
{if x.album}
{var alia=songAlia(x)}
${soil(x.name)}{if alia} - (${soil(alia)}){/if}
{if x.mvid>0}
MV
{/if}
|
{else}
${y+1}
{if x.lastRank>=0}
{if y-x.lastRank>0}
${y-x.lastRank}
{elseif y-x.lastRank==0}
0
{else}
${x.lastRank-y}
{/if}
{else}
{/if}
|
{var alia=songAlia(x)}
${soil(x.name)}{if alia} - (${soil(alia)}){/if}
{if x.mvid>0}
MV
{/if}
|
{/if}
${dur2time(x.duration/1000)}{if x.ftype==2}{/if} |
${getArtistName(x.artists, '', '', false, false, true)}
|
${y+1}
|
{var alia=songAlia(x)}
${soil(x.name)}{if alia} - (${soil(alia)}){/if}
{if x.mvid>0}
MV
{/if}
|
${dur2time(x.duration/1000)}{if x.ftype==2}{/if} |
${getArtistName(x.artists, '', '', false, false, true)}
|
{if x.album}
${soil(x.album.name)}
{/if}
|
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