介绍: 想把诗歌洒入舞池
I want to shower poems into the dance floor
学生时听闻词人林夕在舞池执笔写作,感觉那场景迷人满分。古来乐林舞池便是文人浴场,而在文字逐渐疏远的时日,生活好像被抽了帧的短视频,好想把诗歌洒入舞池,看花瓣坠入火海。Mixtape选择了具有文学性的作品,并尝试把文本和朗读嵌入,从一片泡腾片的消亡开始,看文...
介绍: 想把诗歌洒入舞池
I want to shower poems into the dance floor
学生时听闻词人林夕在舞池执笔写作,感觉那场景迷人满分。古来乐林舞池便是文人浴场,而在文字逐渐疏远的时日,生活好像被抽了帧的短视频,好想把诗歌洒入舞池,看花瓣坠入火海。Mixtape选择了具有文学性的作品,并尝试把文本和朗读嵌入,从一片泡腾片的消亡开始,看文字在霓虹中幻动。
In student days, I heard Albert Leung penned his verses on the dance floor, envisioning the scene as enchanting. Traditionally, dance floors have been like Hot Spring for intellectuals, but in today's wordless era, life feels like a fleeting video clip. Yearning to shower poetry into the dance floor, watching petals fall into the fiery abyss. Mixtape selects literary pieces, embedding text and recitation, start from a fizzling tablet's demise to gaze words dance amidst neon.
About 李克非Kofey
李克非Kofey来自云南的独立音乐人,现居上海。常以音乐来构筑空间的想象。2017年发行首个作品系列《非林波克要塞》,整个作品基于自撰的科幻小说延展,提出“肉身即是一切”的主旨,揉杂不同的音乐风格,探讨人类数字进化的浪潮。同年的第二张专辑《福州大楼》将两年间积攒的楼内生活录音片段,以蒙太奇的方式融入到音乐叙事里,引用电影手法进行音乐创作,呈现潮湿氤氲的上海面貌。最新发行的EP《369》试图通过3首人声作品,描绘万物运行的逻辑,算是“太空歌剧”创作阶段的收尾。今年,李克非将以实景录制的方式来制作鬼怪游侠题材的新专辑。
Kofey is an independent musician hailing from Yunnan and currently based in Shanghai. He frequently uses music to construct imaginative visual spaces. In 2017, he released his first musical work, “Phlinpock,” which extends from a self-authored science fiction novel, presenting the theme “Body is everything.” This work blends various musical styles to explore the wave of human digital evolution. In the same year, his second album, “Hamilton House” seamlessly integrated two years' worth of daily life audio samples from Hamilton. He employed filmic methods in music composition to portray the humid and misty ambiance of Shanghai. The latest EP "369" attempts to depict the logic of the operation of all things through three vocal tracks, marking the end of the "space opera" creative phase. This year, Kofey will produce a new album with a ghostly rogue theme, record in spectacle.
Cover by 李克非Kofey
Edit by FORSHAW
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