The Universal Jazz Symphonette – Sound Craft '75 Fantasy For Orchestra

创作翻唱 欧美共同体 第158期 2023-04-11 创建 播放:85

介绍: Soundcraft 75 - Fantasy for Orchestra
The Universal Jazz Symphonette

Side A
1. Nemesis

Side B
1. Oreo
2.Alpha

Earl Freeman director, composer
Zane Massey tenor saxophone
Daniel Carter tenor saxophone
Kappo Umezu tenor saxophone
Ernest Washington tenor saxophone
Raphe Malik trumpet
John Marshall trumpet
Mal...

介绍: Soundcraft 75 - Fantasy for Orchestra
The Universal Jazz Symphonette

Side A
1. Nemesis

Side B
1. Oreo
2.Alpha

Earl Freeman director, composer
Zane Massey tenor saxophone
Daniel Carter tenor saxophone
Kappo Umezu tenor saxophone
Ernest Washington tenor saxophone
Raphe Malik trumpet
John Marshall trumpet
Malik Baraka trumpet
Daniel Carter alto trumpet
John Mingione flugelhorn
Michael Keith trombone
Richard Dunbar french horn
Nancy Ancrum flute
Art Bennett flute
Andrew Strasmech flute
Henry Warner clarinet
James Emory electric guitar
Mel Smith electric guitar
Tyrone Nickens electric guitar
William Parker bass
Dave Wertman bass
Paul Chambers Jr fender bass
Billy Bang violin
Charles Burnham violin
Wade Barnes percussion
Roger Baird percussion
Julio Cesar tabla
Adeyeme(Philip Spigner) congas
Robert Sardo grand organ
Barbra Blick reading
Patsy Wilkins (Patricia Nicholson) reading

Anima Records AN1001
1975

Earl Freeman

This LP is the brainchild and creation of Earl Freeman - the closest thing there is to a 'leader's date' in his small - but always interesting - discography of appearances on record.
Earl Freeman was a talented, strange, sensitive artist who played acoustic bass, electric bass guitar - piano, flute, harp and percussion. He wrote poetry, and was a graphic designer - the unusual pen and ink contour-hatched illustration that takes up most of the front cover here is his.

Originally from California, and later working with Sun Ra's band in Chicago, Freeman travelled to Paris in 1969 and ended up as part of the BYG/Actuel recording frenzy of American free jazz players in that year.
Not so much a 'big name', as more of an outsider -the word crops up again and again in descriptions of him - it was Kenneth Terroade the Jamaican tenor player who Freeman credited with an introduction to the Parisian scene.

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