介绍： A1 Amazonas
A2 Tanganica
A3 Yê-Melê
A4 Zizê Baiô
A5 Un Jour Christine
A6 Song For My Father
B1.1 Chatanooga Choo-Choo
B1.2 Don't Be That Way
B1.3 Tributo A Martin Luther King
B2.1 Pourquoi
B2.2 Arrasta A Sandália
B2.3 Morena, Boca De Ouro
B2.4 Rosa Morena
B3.1 Birthday Morning
B3.2 Can't Take My Eyes Off You
...

介绍： A1 Amazonas
A2 Tanganica
A3 Yê-Melê
A4 Zizê Baiô
A5 Un Jour Christine
A6 Song For My Father
B1.1 Chatanooga Choo-Choo
B1.2 Don't Be That Way
B1.3 Tributo A Martin Luther King
B2.1 Pourquoi
B2.2 Arrasta A Sandália
B2.3 Morena, Boca De Ouro
B2.4 Rosa Morena
B3.1 Birthday Morning
B3.2 Can't Take My Eyes Off You
B4 O Dialogo

Piano player from Rio de Janeiro, he started playing at night in the late 1950s, quickly participating in the Bossa Nova movement.
He joined the legendary Bossa Três alongside drummer Edison Machado and bassist Tião Neto, with whom he recorded three albums in the United States in 1962.

Back in Brazil, he continued to perform with Bossa Três alongside other works with Jorge Ben, Quarteto em Cy, Elis Regina and many others.
Vinhas was one of the great exponents of Bossa Nova. He worked as a pianist at Beco das Garrafas, as well as appearing on Elis Regina's albums, Quarteto em Cy, Jorge Ben Jor, Maria Bethânia, among others. He also formed one of the first musical groups of this period, Bossa Três, which, in 1966, with Leny Andrade and Pery Ribeiro on vocals, was renamed Gemini V. In 1963, he released Lp “The Bossa 3”. In 1964, he participated in the fabulous album - “O Som” by Meirelles e Os Copa 5. Still in that year he recorded the phenomenal Lp - “Novas Estruturas”.
In 1968 he released "O Som Psicodélico de Luiz Carlos Vinhas" a bold mix of jazz with the sounds that came from the tropicalist movement and psychedelic.

This LP is a milestone in Brazilian music and very rare in its original edition. Finally Mad About Records officially reissued it.

Licensed under courtesy by André Vinhas